It was rough and simple, and not unlike what baby bears would have made of an underground house in the same circumstances. But there was one recess in the wall, no larger than a bird-cage, which was the private apartment of Tinker Bell. It could be shut off from the rest of the house by a tiny curtain, which Tink, who was most fastidious, always kept drawn when dressing or undressing. No woman, however large, could have had a more exquisite boudoir and bed-chamber combined. The couch, as she always called it, was a genuine Queen Mab, with club legs; and she varied the bedspreads according to what fruit-blossom was in season. Her mirror was a Puss-in-Boots, of which there are now only three, unchipped, known to fairy dealers; the washstand was Pie-crust and reversible, the chest of drawers an authentic Charming the Sixth, and the carpet and rugs the best (the early) period of Margery and Robin. There was a chandelier from Tiddlywinks for the look of the thing, but of course she lit the residence herself. Tink was very contemptuous of the rest of the house, as indeed was perhaps inevitable, and her chamber, though beautiful, looked rather conceited, having the appearance of a nose permanently turned up.🏁

It was rough and simple, and not unlike what baby bears would have made of an underground house in the same circumstances. But there was one recess in the wall, no larger than a bird-cage, which was the private apartment of Tinker Bell. It could be shut off from the rest of the house by a tiny curtain, which Tink, who was most fastidious, always kept drawn when dressing or undressing. No woman, however large, could have had a more exquisite boudoir and bed-chamber combined. The couch, as she always called it, was a genuine Queen Mab, with club legs; and she varied the bedspreads according to what fruit-blossom was in season. Her mirror was a Puss-in-Boots, of which there are now only three, unchipped, known to fairy dealers; the washstand was Pie-crust and reversible, the chest of drawers an authentic Charming the Sixth, and the carpet and rugs the best (the early) period of Margery and Robin. There was a chandelier from Tiddlywinks for the look of the thing, but of course she lit the residence herself. Tink was very contemptuous of the rest of the house, as indeed was perhaps inevitable, and her chamber, though beautiful, looked rather conceited, having the appearance of a nose permanently turned up.🏁